Biography
1962–1984
Brazil and England
Born in Bahia, Brazil, also lives in Rio de Janeiro and São Paulo
Moves to England 1966, family homes in 
Lavenham, London and Portugal
Suffolk New College, Foundation Diploma Art and Design, 1981
Manchester Metropolitan University, BA (Hons) Design for Communication Media (film, television and graphic design), 1984,
Commendation in Liberal Studies (art history, psychology, sociology)
1984–1988
London
Moves to London, lives in Fitzrovia, Hammersmith and Clapham, works in 
graphic design
Lives in Los Angeles and Portugal for a year, paints and works in 
television
Returns to London, works in 
graphic design, paints and makes Super 8 films, including found footage, 
shown at 
Royal College of Art and 
Legends nightclub, Mayfair
1988–1994
Los Angeles
Moves to Los Angeles, lives in Hollywood, Studio City and Burbank, paints and makes sculptures, works in 
film and 
graphic design
First one-artist exhibitions at 
AWGO Productions, Los Angeles and Solis, Santa Fe, New Mexico, 1989, 1990
Lives in Santa Fe and La Puebla, New Mexico for a year
Establishes James Westwater Recycled Materials, makes design objects including furniture and home accessories,
pieces sell as far afield as Italy and Japan, and feature in 
Tweeds and 
Greenpeace catalogs  
Sculptures shown at 
Greenpeace, West Hollywood, 1993
Kathy Bryant, 
"Collected Thoughts," Los Angeles Times, March 6, 1993
One-artist exhibitions at LA Art, Encino and 
Lulu's Alibi, Los Angeles, 1994
1994–1998   
New Mexico, early work
Moves to 
Santa Fe, will live on West Side for 12 years
Group exhibitions at 
Robert Berman Gallery, Santa Monica and 
Charlotte Jackson Fine Art, Santa Fe, 1995   
Two-artist exhibition at 
Brenda Taylor Gallery, New York and one-artist exhibition at 
Linda Durham Contemporary Art, Galisteo, 1996
Aline Brandauer, 
"James Westwater at Linda Durham," Art in America, October, 1996
Artist-in-residence and one-artist exhibition at OffSite, Santa Fe, 1997
Co-founds Art Pod, four-artist collective that exhibits in Santa Fe and Taos until 1999
Group exhibitions at 
Ahra Lee Gallery, New York and 
SITE Santa Fe, 1997
Produces series of monoprints at 
SITE Santa Fe, 1997
1998–2005
New Mexico, mature work     
Group exhibitions at Thesaurus, London and 
Brenda Taylor Gallery, New York, 1998
New Mexico Museum of Art purchases Pod piece, 1999
Receives 
Santa Fe Art Institute scholarship to participate in 
Pat Steir Studio Workshop, 1999
Group exhibitions at 
Kiron Espace, Paris and 
James Kelly Contemporary, Santa Fe, first time Corners paintings shown, 1999
Who's Who in American Art, Marquis, 1999
Receives 
Robert Rauschenberg Change Inc. grant, 2001
One and three-artist exhibitions at 
Helix Fine Art and 
James Kelly Contemporary, Santa Fe, first time Ovals paintings shown, 2001     
2003
Four-person exhibition at 
Museum of Art Fort Collins, Colorado
Co-founds Peace Show, 
Artists Resistance Movement
Co-organizes Peace Show 
anti Iraq War exhibitions at 25 galleries and other spaces in Santa Fe
Curates Peace Show at 
Center for Contemporary Arts, Santa Fe
Produces series of prints with 
Santa Fe Editions
2004     
One-artist exhibitions at 
Klaudia Marr Gallery, Santa Fe and 
Rule Gallery, Denver and three-artist exhibition at 
Phil Space, Santa Fe
Group exhibitions at 
Rule Gallery, Denver, 
The Suburban, Chicago, 
Lothringer Dreizen, Munich, 
Max Fish, New York and 
Cream, London
Receives 
Santa Fe Art Institute scholarships to participate in 
Komar and Melamid and 
Richard Tuttle Studio Workshops 
and 
Peter Schjeldahl Critical Writing Workshop
Aline Brandauer, Jon Carver, 
3-D Art/Techné, University of New Mexico Press, pp. 9, 13, 15, 17, 46–51
Sarah S. King, 
"James Westwater at Klaudia Marr," Art in America, June/July
Florian Siedel, 
"Spacemakers," Bauwelt, September
2005–2012
New York
2005
Moves to 
Beacon, New York, converts 100-year-old school gymnasium into 
home and studio
One-person 10-year retrospective exhibition at 
Rule Gallery, Denver
Michael Paglia, 
"Artbeat," Westword, February 3
Receives scholarship to participate at 
Art Santa Fe, first time lightboxes shown
Lannan Foundation purchases piece from 
Exhibitions 2d, Marfa, Texas
2006     
Group exhibitions at 
NavtaSchulz Gallery, Chicago, 
Institute of Contemporary Art, Los Angeles and 
Exhibitions 2d, Marfa
Seb Grant producer/director, 
Artland USA, Series One, Episode 7, presented by Charlie Luxton and Mame McCutchin, 
Illuminations Films, Sky Arts, UK and Gallery Channel, US, first aired November 23
Rima Suqi, 
"Gallery Hopping in Marfa," New York Magazine, October 11
Museum Art.Plus, Donaueschingen, Germany purchases series of paintings from 
NavtaSchulz Gallery, Chicago
2007     
One-artist sculpture and painting exhibition at 
NavtaSchulz Gallery, Chicago, first time 
Plywood Chateaux shown
Group exhibitions at 
Threewalls Gallery, Chicago, 
Cinemaland, Los Angeles and 
Exhibitions 2d, Marfa
Steven Evans, Zane Fischer, Ryan Schulz, 
James Westwater: Plywood Chateaux, NavtaSchulz Gallery
Lloyd Alter, 
"James Westwater's Plywood Chateau," TreeHugger, September 21
2008     
One-artist sculpture and painting exhibition at 
Van Brunt Gallery, Beacon, first time 
Blue Boy paintings shown
Elaine Louie, 
"Chateau: The Condensed Version," New York Times, June 5
Homeless Chateau shown at 
Hudson Beach Glass, Beacon
Participates in 
Creative Capital Professional Development Workshop (PDP), New York
Founds The Vs culture club, Beacon
2009     
Group exhibitions at 
Heidi Cho Gallery, New York, 
Van Brunt Gallery, Beacon and 
Hudson Beach Glass, Beacon
Lloyd Alter, 
"Homeless Chateau: A Little Privacy," TreeHugger, January 15
"Your Flat-pack or Mine?" Times (UK), April 13
2010     
One and two-artist exhibitions at 
Van Brunt Gallery and 
Heidi Cho Gallery, New York, first time postcard paintings and wall installations shown
Alex Johnson, 
Shedworking: The Alternative Workplace Revolution, Frances Lincoln, pp. 58, 59, 120, 122
"James Westwater: Postcards and Matchboxes," New York Times, Metropolitan section, July 18
2011     
Group exhibitions at Richard Levy Gallery, Albuquerque and 
School of Jellyfish, Beacon
Virginia Sole-Smith, 
"Schoolhouse Rocks," ReadyMade Magazine, December/January issue, cover article
Keeps a top floor apartment and studio in a historic tenement in 
Kips Bay, Manhattan for a year 
2012–2017
Texas, Portugal, Ireland and Iceland
2012
Enrolls in 
MFA Visualization program at Texas A&M University, College Station where also teaches art and design from 2012 to 2013
Designs Westwater tartan, inclusion in 
Scottish Registry of Tartans, National Records of Scotland, Edinburgh
Awarded Arthur Harris Best in Show in FAR & WIDE at 
Woodstock Artist's Association and Museum, New York, 
juried by 
David A. Ross, first time Drift shown
Certificate of Completion Teacher Training, Texas A&M University
One-artist exhibition at Projects on Ashburn, College Station
2013–2017     
Artist-in-residence at 
Foundation OBRAS, Evoramonte, Portugal, 2013
Enrolls in 
PhD Architecture program at Texas A&M University, 2013  
Artist-in-residence at 
Fire Station Artists' Studios, Dublin and 
Nes Artist Residency, Skagaströnd, Iceland, 2014
Inducted as member of 
Tau Sigma Delta Honors Society in Architecture and Allied Arts, 2014
One-artist exhibition at 
Mad Dooley Gallery, Beacon, first time Edges shown, 2014
Artist-in-residence at 
Foundation OBRAS, Evoramonte and one-artist exhibition at 
Evoramonte Castle, Portugal, 2015
Andrea Weber, 
"Nes Artist Residency," Skagaströnd Review (Paris), March, 2016
Academic Excellence Award, Texas A&M University, 2016 
Receives 
PhD in Architecture, 
Unknown Architectures: Agnes Martin and Ian Curtis, Oak Trust, Texas A&M University, 2017    
2017–2019
Cornell University
Teaches Art+Science course in the 
Department of Human Centered Design, Cornell University
Rebecca Roake, 
Mobitecture: Architecture on the Move, Phaidon, p. 191, 2017
Guest lecturer, 
Department of Fashion Design and Management, Cornell University, 2018
One-artist exhibition at 
Martha Van Rensselaer Gallery, Cornell University, 2018
Group exhibitions at 
Nes Artist Residency, Skagaströnd, 
Catalyst Gallery, Beacon, 
Woodstock Artists Association and Museum
and 
Inlet Valley Arts Center (EyeVee), Ithaca, 2018
2019–present
Washington, DC
     
2019
Moves to 
Washington, DC, teaches drawing in the Department of Plant Science and 
Landscape Architecture, University of Maryland
Guest reviewer in the School of 
Architecture, Planning and Preservation, UMD
Paintings installed at 
Grayhaven/
EyeVee, Ithaca, ongoing
Smith Schwartz, 
"Jodi and Ryan's Immaculate Whimsy," Apartment Therapy, December 19
Returns to Edges paintings after a break of several years
2020
Receives 
Teaching Innovation Grant, with Drs. Byoung-Suk Kweon and Naomi Sachs, by UMD's Office of the Provost
Creates Land Art class and curates 
At Home and Elsewhere: Land Art Under Lockdown, PSLA, UMD
Marcina Garner, 
"Through the Lens of Art: LARC Professor Dr. James Westwater Talks Art....," PSLA Newsletter, UMD, July 14
2021
Teaches Land Art class for second year and curates 
Spiral Found: Land Art under Lockdown II, PSLA, UMD
Samantha Watters, 
"UMD Students... Online Exhibition, Spiral Found: Land Art Under Lockdown II," AGNR News, UMD, July 27
2022
MFA committee member, 
Department of Art, UMD
Teaches Land Art class for third year and curates 
Notes from the Underground: Land Art Under Lockdown III, PSLA, UMD
Graham Binder, 
"Landscape Architecture Students Present Special Land Art Exhibit," AGNR News, UMD, May 6
Declines to renew teaching contract with UMD and returns to Ovals paintings after a break of several years
2023
Group exhibition 
Hver er Munurinn, curated by Birta Dögg Bessadóttir, University of Iceland, Reykjavik
Establishes private collection, Museum of Ground Plane Objects (MOGPO), Washington, DC,
part of land art practice of finding objects while walking, previously explored and developed in Portugal, Iceland, etc.
Painting practice returns to Corners and Edges and continues with Ovals
2024
Paintings shown at 
Manse, first public exhibition in Washington, DC
Begins to bag MOGPO finds by calendar quarter and explores new configurations for Corners, Ovals and Edges
Returns to use of ornate and gilt frames for first time since Blue Boy and Pinkie paintings, circa 2008
Group exhibitions include 
Transcendence, Honorary Chairs Mera and Don Rubell, 
Rubell Museum,
American University 
Katzen Arts Center, for 
Transformer, Washington, DC
Lannan Foundation gifts Home Before Dark (2001), purchased 2005, to 
New Mexico State University Art Museum, Las Cruces
Stacy Alexander, 
"The Art of James Westwater: A Journey Through Form and Line," In Focus, Substack, October 17
2025
Artist-in-residence at 
Church Farm, Norfolk and 
Belmont House, Shetland, United Kingdom
Coastal Norfolk and Shetland residencies mark a return to Edges land art project, previously in Portugal, Ireland and Iceland
MOGPO daily practice extends to intertidal zone
Group exhibitions include 
Dis/comfort in the North, curated by Katie Ione Craney, University of Alaska Fairbanks Art Gallery
New paintings at 
Manse, Washington DC
Ronda Kaysen, 
"Housewares Retailers Brace for Tariffs," main and last photos, New York Times, April 15
Donna Leanos, 
"Le Decor: Georgetown," Georgetowner, July 16
Creative West, 
"James Westwater," Public Art Archive