James Westwater's photography is part of his land art process, with an emphasis on built space and machine-object.



In expanse of asphalt and grey sky, a small building with a green metal roof.
A windowless wall of a white clapboard building with a rusted green metal roof.
A small grey SUV parked in front of the peaked gable end of a small building.
A light blue and grey corrugated metal-roofed building with four small windows.
A white metal house with red trim, a yellow chopper motorcycle parked in front.
A commercial building with blank modernist turquoise facade and scaffolding.
A silver-colored aluminum shipping container with “Eimskip” painted on the side.
Frayed teal-colored and white rope hangs from an old rusty metal trailer frame.
A bare aluminum box sits on a pallet dolly in a warehouse with a yellow forklift.
A welders mask, saw and centered circular pipe clamp hang on a white wall.
A motocross motorcycle, a sweater on the seat, leaning on a wall with staves.
In horizontal bands, a shiny orange wall, white trim and pink patterned linoleum.
A blue car parked on a cobbled street with white walls, a metal gate and signs.
Four bare fluorescent lightbulbs in a metal box on a grey painted brick wall.
A minimalist yellow rectangle on a low brick building next to a BP gas station.
Boarded up windows on a warm grey building with a shadow from a light pole.
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